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Geometric Application I
2014, Paper, 28 x 24 in
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In the series "Geometric Applications", white lines trace the distorted geometries created by projecting perfect quasicrystalline patterns onto the objects of everyday life. A pattern found in both the mystic ornament of Medieval Islam and the molecular structures of modern physics, the work represents the notion of an underlying order - be it spiritual or scientific - rendered illegible by the disorder of modern life.
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